top of page

Meaning in the Echoes

Wind Ensemble

ca. 11' (3 movements)

Grade 5

A traveling djembe, offstage bass drum, and contemporary musical language tell the story of musical ideas being discovered, developed, abandoned, and transformed.

(Invoices/ Quotes/ P.O.s accepted)

At a Glance
Style
Expansive β€’ Atmospheric β€’ Dramatic

Selected Performances & Recognition
πŸ† 2022 Finalist – NBA/William D. Revelli Memorial Composition Contest
Colorado State University

What Makes It Unique
Traveling djembe and offstage percussion become part of the musical narrative, creating a sense of movement and discovery that extends beyond the stage itself.

Musical Influences
Joseph Schwantner
Frank Ticheli – Angels in the Architecture
Charles Ives – Country Band March
Steve Reich

Why I Wrote This Piece
Written to explore the creative process itself and the often unpredictable paths that musical ideas take as they are discovered, abandoned, transformed, and rediscovered.
Recording
00:00 / 12:43

I. Among the echoes (0:00)
II. Discoveries (3:00)
III. Into view (8:25)

Score Preview
Instrumentation
Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
Contrabassoon*
Clarinet in Bb I-II-III
Bass Clarinet
Contrabass Clarinet*
Alto Saxophone I-II
Tenor Saxophone
Baritone Saxophone
Trumpet in Bb I-II-III
Horn I-II-III-IV
Trombone I-II
Bass Trombone
Euphonium I-II
Tuba
Piano
7 Percussion

Notes
β€’ Optional Contrabassoon
β€’ Optional Contrabass Clarinet
Watch

Colorado State University Wind Symphony, Ben Pouncey conducting

Scrolling Score

PDF & Print editions available

Program Note

Meaning in the Echoes begins mysteriously, as a solitary percussionist cries across a desolate landscape. With each unanswered call they begin to lose hope, when suddenly they receive a distant reply from an offstage bass drum. The two exchange in a dialogue, as the first desperately searches for the answering voice among the echoes.


The second movement reveals a number of possible paths. Some are insistent and impossible to ignore, some an annoying distraction, and others turn out to be a complete dead-end. As these routes are explored, abandoned, or completely ignored, a few offer the promise of true potential. We hear the original β€œcall and response” from movement one grow closer and closer...


Just before the third movement, the offstage percussionists have finally found one another. The exploration and resulting discoveries from the second movement are polished and propelled forward. The musical ideas and musicians are united into a cohesive unit to celebrate the new discovery.


Meaning in the Echoes is a musical representation of exploration. The initial inspiration for the work was the act of composing itself. I often view writing as a search for musical ideas that often come forth in raw form. I begin sifting through them, and then decide how best to nurture or use them (if at all).


While the piece certainly speaks to the act of searching, discovery, and celebration in general, it is inseparable from the "real-time" story of the process that created the work itself. The music represents mystery, uncertainty, nagging and useless ideas, mind-numbing repetition, inspiration, excitement, and a number of other elements as the listener almost "observes" the music composing itself.

Questions about the piece?

Feel free to reach out if there's anything I can do to help as you explore this piece.

Browse Full Catalog

Wind Ensemble

String Orchestra

Full Orchestra

All Products

bottom of page