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Embers in the Black

Chamber Woodwinds and Percussion

ca. 8'

Unique combinations of modern woodwind instruments create a chamber ensemble sound world rarely found in the traditional chamber winds repertoire.

(Invoices/ Quotes/ P.O.s accepted)

At a Glance
Style
Expressive β€’ Aggressive β€’ Colorful

Selected Performances & Recognition
πŸ† 2022 Semi-finalist – The American Prize

University of Missouri–Kansas City Conservatory
U.S. Coast Guard Band
Virginia Tech University
Auburn University

What Makes It Unique
Expressive solo writing is contrasted with aggressive rhythms, unusual colors, and dramatic orchestration that steadily build toward moments of intensity and release.

Musical Influences
Joseph Schwantner
Paul Hindemith
Hans Zimmer
Skrillex

Why I Wrote This Piece
Written to expand the conducted chamber winds repertoire and create meaningful opportunities for musicians outside traditional Harmoniemusik instrumentation.
Recording
00:00 / 07:55

University of Missouri Kansas City Conservatory
Connor Fetting, conductor

Score Preview
Instrumentation
13 Players

Piccolo
Flute
Bb Clarinet I-II
Bass Clarinet
Contrabass Clarinet*
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
3 Percussion

Notes
β€’ Alternate part provided for Tuba or String Bass
Watch

Performance by members of the UMKC Conservatory, Connor Fetting conductor

Scrolling Score

PDF & Print editions available

Program Note

While selecting music for my graduate wind conducting recital, my goal was to create a program that utilized a number of members from our ensemble. As I began the process, I found it challenging to involve the saxophones, low clarinets, and percussion. From what I discovered, chamber wind repertoire tends to overlook these instruments, so I wanted to write a piece of music that would explore the combination of these colors in a small ensemble setting.


Much of this piece remained unorchestrated for many years before I was able to find the instrumentation that suited the music appropriately. The beginning section was originally composed for orchestra with English horn playing the haunting opening melody. The driving middle section was intended for a full concert band, but I quickly abandoned the idea, as the piece seemed to call for a smaller, more agile group. It was not until the spring of 2018, when selecting repertoire for my recital,  that I decided on the current instrumentation.


Embers in the Black depicts an eerie, dark, and desperate atmosphere based on the following text:

​

β€œThis place is familiar, but never safe. Surely, one more trip will do no harm. Yet as the blanket of night covers the land, two eyes emerge like embers from the black.”

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